Wednesday, April 13, 2011

sings and stings

today i went down to city park to pull spanish moss and find the singing tree. last year i spent so much time biking under the live oaks and feeding the dinosaur ducks. living in the lower garden district, it's ordinarily too much of a trek just to wander the acres by my lonesome; however, my friend davitt had recently mentioned a "singing tree" that warranted a special visit.


behind the museum, the moss was plentiful, draping gray from near every branch. sometimes i had to jump for a grip, and sometimes it trailed within easy reach. meandering from tree to tree, sometimes climbing up a low arm i stuffed a grocery bag.






before my last tree, i felt a sharp, throbbing pain in my right elbow and next to the pinkie finger of my left hand. i was drawn up as sharply as a small child stung by a wasp, but i didn't make a sound. there had been no visible or audible insects, and i wondered if the continuous stinging could be an allergic reaction to the epiphytes. it also crossed my mind that fire ants could have been nesting in the trees, and might be crawling around inside the plastic bag.


i sucked on my reddish, swelling hand but couldn't do anything for my elbow, which was mottled magenta. walking by the lake, back towards the museum, i passed ducks nestling in the shade. there were no drinking fountains for rinsing my skin, so all there was to do was keep calm. davitt had said that the singing tree was near NOMA, and that he'd laid under it for an hour, but i'd never seen or heard it.


reason said that the tree must be fairly large, and isolated enough that wind could sidle against the chimes. every few yards i stopped and listened hard for anything that resembled a bell, any fluty murmur. i might have looked distracted as joggers pounded past. i thought about how seldom anyone has to listen for something they can't see, has to sort over the buzz of traffic and under the chatter of pedestrians. probably a lot -- actually, in any city, -- but this sought sound was mysterious to me, something even to distinguish from the shrill ache in my arm.


for a long time i stood looking at pond scum and, and then for a while by reeds, gazing at the fountain at the center of the lake. perhaps if i had asked a passerby... but then it was there, like imagining a fork tapped once against a wine glass. unlike my cat, whose ears turn towards the direction of a whisper, the mew of a friend beyond the window, i scanned the distance for massive trunks. a few steps in any direction then pause, willing the breeze to push towards me a similar vibration.


there was no silvery glimmer between branches, to attract a far away eye, but like a stray bubble, the pitch popped before me. with increasing confidence, i sleepwalked towards the source, octaves of shimmer on alternating gusts. it's amazing that though sound has no physical bulk, it can be pulled and stretched, or ripped away. there it was, across the field, with a cluster of people sitting on the grass.


the third bite came at the same moment, and i screamed as the knuckle of my thumb lit up. i threw my bag down -- a caterpillar as long as my finger, and as wide around crawled along its strap. it was densely girded with super-pronged red and black antlers. this was the first time i had seen the varmint, and i trod on him and hurried away.


last spring, a postal carrier mentioned that he was afraid of the caterpillars that fell out of the trees this time of year. he had cautioned me to keep an eye out, lest one fall down the back of my collar. none revealed themselves to me, but i stayed wary when sitting in the garden or biking uptown. i could not have guessed how much it would hurt just to have one graze against your skin. if it had happened while pedaling, i would most likely have flipped myself into traffic.


as it was, i strode over to the tree and knelt down, the glissando already washing over me. the circumference of the trunk was wide enough that from any vantage you could see three three or four clusters of chimes. hung high, dark metal pipes circled a disk; long and fat tubular bells gave off a gentle gong, thin and short ones produced a shiver. with the curls of wind through the leaves, they rang in unpredictable turns, but in harmonious accord. the chimes were tuned to one another, so there was a harmony on the verge of melody. sitting there, when not sucking on my burning thumb and spitting into the grass, i hummed. someone with skill could have formed a song between the warm drone and the meandering twinkle.








other visitors came and went. a lady and her daughter spread a blanket. two boys sat down at the opposite side. another mother cycled up, lifted her little girl out of the baby seat, and proceeded to walk in slow circles around the tree. i wanted to draw or write to the music, but could articulate no thoughts. i tried to make a field recording, but my phone couldn't catch the range of chimes.



(thanks latonolawordpress and youtube!)




heading back to my ride, and wishing for ice, i checked the ground where i had stepped on the caterpillar. it was still writhing around. unlike a tick, that drops from above when it senses the warm body of a food source, this poisonous bug fell only as a dumb thing. though it looks like a spiny devil, and their infestation is actually troublesome for the trees, it does mature into the striking buck moth.


thanks google image search!


if you'd like to know more about the singing oak: thermo nuclear studios

kyra & az ♥ david's marat


kyra just sent me this shot we took during a post-festivities bubble bath. 



even though we are not on team robespierre, we both love the painting The Death of Marat.



the light in the painting is very soft and very clean, illuminating the simple accoutrements of the Jacobin orator. his beatific expression contrasts with the violence of his murder. charlotte corday (the brave and cunning assassin) was sent to mme. guillotine and marat got to live on in art history in the guise of a martyr.

the power of propaganda -- 220 years later!

Tuesday, April 12, 2011

sartorleanist tres


don't you just know it -- swing night again!
back from chicago, i went to mimi's, and i brought ilana and rebecca with me. it was rebecca's big 2-5!




ilana's bright garters were my favorite part of her look. as for myself, to work i'd worn white moccasins and a white belt, but i decided to change my accessories for a less matchy-matchy look. anachronistic! the pink belt was lent to me by ilana -- it's 80s, and contrasts gorgeously against the green silk.


colin's elbow is blocking all the bills safety-pinned to rebecca's boob. i mean, camisole strap.




besides that darling guy in braces and a snap cap (you can't see his two-tone spectators) we've added another fashion-loving lass to the mix: frances! that black and white butterfly frock was made by frances' mom!

allow me to describe some of the great outfits i neglected to photograph:

one lady had high-cut, creamy, wide-leg  trousers, which she wore with a tulip-sleeved, dove-gray, tailored blouse. tucked into her hair, which was braided to the side, was an array of pale silk flowers. (turns out she was british.)

birdie wore a red floral dress with thin straps and a circle skirt.

chance's hat was a brown, roll-brim derby, and at the beginning of the night, his white shirt was very crisp.

meschiya wore all black, a short-sleeved blouse and a pencil skirt that ended 6 inches above her knee, the better to display her angel- and devil-mermaid calf tattoos.

charlie - as ever - wore Cons, cuffed jeans, and a straw porkpie. adorable.

i really must admit that some real opportunities were missed; last night was the end of fleur de lindy, a fabulous swing dance expo that went on during French Quarter Fest. since i was working all weekend and generally avoiding the tourists, i did not attend any of the events. i profess to not have known. this totally sweet occasion brought in dancers and enthusiasts from all over the world, and i didn't do anything over the weekend but read Never Let Me Go.  real dumb.

Saturday, April 9, 2011

jasmine, gardenia, and crepe myrtle

the whole city smells like these three. i get drunk on it. my lungs are filled up, biking to work, biking home. a different mood of them:


Flower
Paul Celan

The stone.
The stone in the air, which I followed.
Your eye, as blind as the stone.

We were
hands,
we baled the darkness empty, we found
the word that ascended summer:
flower.

Flower - a blind man's word.
Your eye and mine:
they see
to water.

Growth.
Heart wall upon heart wall
adds petals to it.

One more word like this word, and the hammers
will swing over open ground.

Thursday, April 7, 2011

ça promet la menade


[the clothes] promise debauchery

my pal janet, who creates custom wearables at chicago's t-shirt deli, put together this sweet number. starting with one of my favorite jacques lacan quotes, i picked out the fit and color of the american apparel tee, and then the font, color, size, and placement of the text. janet was my guide at every step, and even delivered the final product to me at the whistler.

i'm not ordinarily a t-shirt person; i find them to be overly casual. however, between the inscrutable quote and the minimalist design -- not to mention the love that went into it -- i've got something pretty fancy!


janet and the cutest packaging ever

Tuesday, April 5, 2011

anti-sart

as much as i am a followed of fashion blogs and outfit-du-jour tumblers, it really upset me when a street photographer tried to take my picture the other day. i figure they were a tourist because they didn't ask my permission beforehand, but her determination to catch my image even as i was getting on my bike and pedaling away was more pronounced than your average visitor to new orleans.


i've been stopped on the street before, but there seems to be a diplomacy between aesthetes that requires a spoken request or at least a nod of assent. sometimes credentials are offered. i've never scowled at anybody. sure, i was leaving work after a rough day, but my ensemble was fun and it's more pleasant to be obliging. it was irksome that the woman kept taking shots, turning her lens to follow me, continuously clicking, even as i threw up my arm to block my face.


part of what anyone wants (or deserves) as a subject, is compassion and courtesy. un-composed or spontaneous shots are wonderful as long as there is a sensitivity to the intent. on several occasions, my roommate's boyfriend has been accosted by camera-weilding pedestrians while he is on a cigarette break -- probably because he has a mohawk, tattoos, gauges, and a handsome profile. although he generally obliges them, it is uncomfortable to be framed as a part of the scenery, an element of the new orleans fauna. i do not necessarily want to be part of a slideshow representing lower garden district culture, either as tribute or detriment. i do not want my bike to be an accessory, even though it is awesome.








in basic: as it is the aim of a good designer to exalt the fabric chosen for their garment, so should it be the goal of a documentary photographer to establish trust and not exploit their subjects, or show them at a weaker vantage.

Sunday, April 3, 2011

rachael getting married

my best friend kyra's little sister got married yesterday and it was the loveliest young-person wedding that i have ever attended. i got to spend a good amount of time with the bride (as well as her family and in-laws) getting mani-pedis in lincoln square, eating mushroom ravioli at cafe selmarie, and even doing her makeup for the rehearsal dinner. (technically, rachael hardly anything was required in the way of cosmetics -- the women of that family have been genetically gifted with flawless skin. 'twas but a little eyeliner, mascara, and lipglaze.)

the parents were beaming, the groom was charming, and the surroundings were at all times splendid.






the bride's earrings are badgley mischka and her veil was trimmed in gorgeous lace. 



something blue: the bride in the center, kyra at the far left.


the bridesmaids (and maid of honor) gowns were all by j.crew. the wedding dress itself was sexy yet streamlined and classic, with a 3 ft train. kyra was informed as how to adjust it, and did so at several intervals.

did you notice that there are Two Dudes officiating the ceremony? a rabbi and a catholic priest. the couple received the seven blessings, signed the ketubah, and stomped a wine glass (actually a lightbulb) in addition to a bunch of christian customs. i thought it was really wonderful that rachael and russell included jewish traditions as part of the day. (we danced a traffic-jamming hora at the reception and...everyone sang hava nagila.)


my pew-mates, ashley and nick, were the best-dressed guests. nick is a stylist (among twelve other creative pursuits) and ashley is as beautiful on the outside as she is on the inside.


i found my dress at buffalo exchange in lakeview just a few hours before the wedding. i was biding time while kyra got coiffed at aveda, and this Elizabeth and James mini practically jumped off the rack. a plush midnight blue velvet with a deep v-back -- and an exposed zipper -- and gathered bell sleeves. there were many beautiful dresses in this tiny buy-sell-trade shop, but the luxurious 70s vibe and the high quality won my heart. i'd been planning to wear the tiered silk Marc by Marc Jacobs frock, but with 40° temps, this seemed more appropriate. (no one commented on the length of my skirt.) my other great last-minute find at the Buff was a disco-ball-inspired necklace... with fringe. gucci heels and rhinestone tassel earrings into the mix, and i could hear that other rachel (zoe) deap-panning from far away "i die. ba-na-nas. a-mah-zing."

note/caveat: even though i looked rad, the only boy that danced with me was kyra's dad, bill. best father of the bride ever.